I have played the 19 for sale now at LH and it is a magnificent harp, not rebuilt.
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Some of these older harps have a more piercing tone than the rounded one we are used to. I had to really push to get the sound out of the tight response, but it projected extremely well, and balanced against the piano as well as a 23. I once did a harp and piano recital on a style 16, straight sound-board and gilded column, and that harp was hard to play. I think lighter is better, even if it means replacing the neck. My harp has gained weight from 78 pounds when I ordered it, to 81 when I received to 84 pounds after rebuildings. All the harps are now bigger and heavier than they used to be. The original Salzedos had very wide sounding-boards, so I wouldn’t say they were smaller, and they usually had wide string spacing in the bass. With a straight soundboard, you have to work harder to project your bass tones. The Style 23 Bronze highlights the embellished floral carving at the crown, top of the column. Asking 26,500 Mint-Condition Contact Lee Nicholas at 281.541.5733 or for picture and more information. LYON & HEALY STYLE 23 BRONZE 47 String Pedal Harp. It comes with a harp cover and hard-case moving box. The sound is resonant, big, with a gorgeous even tone. The extension gives it the pear-shaped tone we strive for. Lyon & Healy 23 Gold Concert Grand Harp, 8421. Lyon&Healy 23 Natural w/Matching Bench and Stand, Travel Padding Set With a bittersweet heart, I am selling my Lyon and Healy 23 Concert Grand Harp. There is a clear difference between the straight and extended sound-board. Information we have available on the historical brand Lyon & Healy. The Lyon & Healy sound is marked by its resonance, its. The Chicago model harps have the same quality but are uniform and good in sound. Founded in 1864 in Chicago, Lyon & Healy Harps built its first pedal harp in 1889 and has become recognized around the world for its craftsmanship acquired through an internal apprenticeship program. They can sound wonderful and like dreck, depending on the instrument. That makes them more in line with Erard harps. The 15’s have less bass without the extension of the soundboard. Any variation in the height of the instrument from one model to another was simply a matter of adding more wood to the top of the column(the Salzedo model) or the addition of a crown.
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The concert grands were the largest and included the style 3, 8, 11, 23, 26, and Salzedo model. After that, there were several numbers that are no longer made: style 16, 19, and the 15, 17, and 22, all of which were the same semi-grand size, with either a straight or extended board. After WWII, they may have discs on the top string.īefore WWII, Lyon & Healy had 4 different size harp frames. The 15’s that are pre-WWII may have been 45 or 46 strings, with just an overstring post for the top string(no discs). 1915 Premium Style 23 Gold Lyon and Healy Concert Grand Harp. After WWII they were simply ungilded turned columns. The Enchanted Harp offers many different harps for sale ranging from concert grand pedal. A 12 pound difference between two 15’s sounds like a misprint, or someone simply guessing.ġ5’s built before WWII had carving and a combination of gilding and bronze powder. The differences in height for the same model could be with and without a crown, which is about 2 inches high.